Pohle (Near Hannover, Lower Saxony, Germany)
“Approaching with an understanding towards care can help us to investigate the interconnected relationships of humans, non-humans, technical infrastructure, and space.” – Lena, team member
Bona Peiser (Kreuzberg, Berlin, Germany)
“Downgrading building elements on a component-by-component basis flanked by targeted retrofit measures helps preserving the character of existing buildings as well as their embodied energy.” – Jan, structural engineer
Großer Garten (Gerswalde, Brandenburg, Germany)
“Building slower, long-term relationships between designers and those who will use a designed space is essential for locally-oriented architectural engagement.” – Zoë, architectural entrepreneur
Neue (Tempelhof, Kreuzberg, Germany)
“We invite ourselves to the party, rather than being commissioned to fulfil a predefined program.” – Nicolas, project architect
FORST Center for Contemporary Music (Grünow, Mecklenburg-Vorpommern, Germany)
“We consider all the protagonists involved in building culture to be quite equal. For us, it is important to move away from a consumer attitude and towards a producer attitude through the building process.” – Christian, project developer
Pohle (Near Hannover, Lower Saxony, Germany)
“Approaching with an understanding towards care can help us to investigate the interconnected relationships of humans, non-humans, technical infrastructure, and space.” – Lena, team member
Bona Peiser (Kreuzberg, Berlin, Germany)
“Downgrading building elements on a component-by-component basis flanked by targeted retrofit measures helps preserving the character of existing buildings as well as their embodied energy.” – Jan, structural engineer
Großer Garten (Gerswalde, Brandenburg, Germany)
“Building slower, long-term relationships between designers and those who will use a designed space is essential for locally-oriented architectural engagement.” – Zoë, architectural entrepreneur
Neue (Tempelhof, Kreuzberg, Germany)
“We invite ourselves to the party, rather than being commissioned to fulfil a predefined program.” – Nicolas, project architect
FORST Center for Contemporary Music (Grünow, Mecklenburg-Vorpommern, Germany)
“We consider all the protagonists involved in building culture to be quite equal. For us, it is important to move away from a consumer attitude and towards a producer attitude through the building process.” – Christian, project developer