Atelier Fanelsa Materials Image by Zara Pfeifer

Four Seasons (Photo Collection with Zara Pfeifer)

“The use and further development of local materials and traditional construction methods is essential.” — David, builder

Atelier Fanelsa Clay Finish
Atelier Fanelsa Paludi Workshop

Clay and Paludi workshops

“We should favour working with regenerative materials. Their capacities, local origins, and traditional methods are tested in the process, while at the same time their value is restored and renewed.”— Laura, architect

Atelier Fanelsa Fabric, Image by Zara Pfeifer
Atelier Fanelsa Fabric Test, Image by Zara Pfeifer

Places of Rural Practice – Food (Gerswalde, Brandenburg, Germany)

“Exploring new and old materials is as much about process as product. We’re learning how to prototype, test, and adapt.“ — Henrik, intern

AtelierFanelsa Ruin, image by Simone Marcolin
AtelierFanelsa Rammed Earth, Image by Henrik Abel

Gemüseeck- Image by Simone Marcolin

Rammed earth bench - Image by Henrik Abel

Atelier Fanelsa Materials Image by Zara Pfeifer

Four Seasons (Photo Collection with Zara Pfeifer)

“The use and further development of local materials and traditional construction methods is essential.” — David, builder

Atelier Fanelsa Clay Finish
Atelier Fanelsa Paludi Workshop

Clay and Paludi workshops

“We should favour working with regenerative materials. Their capacities, local origins, and traditional methods are tested in the process, while at the same time their value is restored and renewed.”— Laura, architect

Atelier Fanelsa Fabric, Image by Zara Pfeifer
Atelier Fanelsa Fabric Test, Image by Zara Pfeifer

Places of Rural Practice – Food (Gerswalde, Brandenburg, Germany)

“Exploring new and old materials is as much about process as product. We’re learning how to prototype, test, and adapt.“ — Henrik, intern

AtelierFanelsa Ruin, image by Simone Marcolin
AtelierFanelsa Rammed Earth, Image by Henrik Abel

Gemüseeck- Image by Simone Marcolin

Rammed earth bench - Image by Henrik Abel